Before landing in Madrid
my head was filled with visions of bullfights, flamenco and the writer Ernest
Hemingway and, to a great degree, the city did not disappoint. Plaza del Toros,
Madrid’s massive bullfighting ring, is a beautiful structure that host battles
between man and bull Sundays from March to October. Passionate flamenco
performances can be seen nightly at Corral De La Moreria. And there are plaques
to places Hemingway ate and drank all over town.
However what was really surprising
about Madrid was how many products of the African Diaspora were walking its
streets. On mid-day on Gran Via (which is the kind of Madrid’s Broadway) I ran
into more people of color than I’d see at Noon on San Francisco’s Market
Street. On my first day in town I chatted with a black British woman who was
studying Spanish at a local university, a brother from Senegal who spoke mostly
French and Spanish, and exchanged smiles with several black folk who spoke only
Spanish.
While cities like London
and Paris have reputations for having multi-cultural populations, Madrid is an
international city that has a growing population of African and Caribbean
peoples.There are several areas
of the city where these new Spaniards have settled, most of them in South
Madrid. But one of the most vibrant and diverse areas of Madrid is in the
city’s center.
Lavapies is anchored by
Tiruso de Molina Plaza, a spot where on any given afternoon you’ll see anyway
from twenty to forty African men maxin’ and relaxin’. It was once a bastion of
white working class Spaniards, but has been transformed in a Spanish version of
New York’s famous lower east side, where generations of European immigrants
became American. Most visible on the streets of Lavapies were African, most of
whom spoke only French and/or Spanish. Through an interpreter I chatted with
two burly six foot plus brothers from Senegal who lived in Lavapies and did
security at some of the local African nightspots. They said Spain, which is
just across the Mediterranean, had become a prime destination for Africans
looking for work and people would take great risk to support their families.
While they were reluctant to give too much personal info, they said the Spanish
had been decent with them, though I could tell they were a little leery of
being too frank with me.
Scores of stores in
Lavapies sold food and products aimed at its diverse population. One store sold
African and Pakistani food. Another spot advertised that it sold
African-Chinese-Caribbean-Latino products, a medley of food and items from a
dizzying array of places. Even back in the melting pot of New York, I’ve never
seen stores that served as wide a variety of specific ethnic groups and
immigrants as in Lavapies. Whatever you think Europe is, the truth is the place
is becoming more multi-cultural and definitely blacker.
But, as Sonia’s, a black
beauty shop on El Valverde, just off Gran Via, made clear this new European
black world will have its particular flavor. In the window were ads for some of
the same hairstyles and products you’d fine in Harlem or South Central. Sonia,
in her 40, was from Equatorial Guinea, a former Spanish colony located in
central Africa. Of the three chairs in her shop on a hot summer afternoon two
were occupied by white Spanish women who were getting their hair braided in
anticipation of getting hair weaves.
Coco, a 30ish Nigerian
from that nation’s Ebo tribe, gave me some insight on Sonia’s and the place of
African’s in Spain once I agreed to get a hair cut. He’d been living in Madrid
for six years, making his living cutting men and women’s hair, as well as white
as well as blacks, skills he refined in order to survive in Madrid. He’d once
lived in the area near Sonia’s but now resided in South Madrid, where there
were more Africans. While there were enough people of color in Madrid for him
to make a living, by doing white hair he was able to make more money and have a
small degree of social mobility by meeting Spanish natives.
We got into a long
discussion about African-Americans and their relationship to Africa. Coco, who
spoke three languages (Ebo, Spanish, English) found it amazing that black folk
from the U.S. were not, a the very least, b-lingual since folks from any
African nation who made it to Europe could usually converse in two to three
tongues.
I’m a well-read college
educated American. Coco was from a small village in West Africa. Yet because my
barber was tri-lingual he had more social mobility in Europe, Africa and around
the globe. Americans, black and white, have a rep for being amongst travelers
and the root of a lot of that reputation is our unwillingness/inability to
speak more than English. We can always say, “I’m sure most of them speak
English.” But a lot of them don’t. A lot of folks speak Spanish. So both as a
gesture of good will and a practical manner we American travelers are well
advised to step up our language game before we leave the country.
After getting a fine hair
cut from Coco and seeing his next customer, a white businessman in a suit &
tie arrive, I wandered around Madrid doing the tourist thing, visiting the
historic Plaza Mayor and its nearby more garish cousin Puerto Del Sol. But the
real touristy highlights of my Madrid visit brought me back to the power of
African-American culture. In a nod to hip hop there were graffiti tags all over
town – along roadsides and on storefront grates. In Puerto del Sol, a busy
square trafficked by shoppers by day and hookers by night; I saw a large window
display celebrating “the Emperor de Pop.” Michael Jackson, in all his glory,
was repped by a large photo and copies of his many multi-platinum CDs.From Gary, Indiana to Madrid, in death
Michael remains a global star.
Strangely Michael came to
mind watching an intense flamenco show at Corral De La Moreria. As I observed male
dancer Adrian Sanchez sweat and strut through a stomping, rollicking dance
performance I was stunned at how many elements, from Michael’s use of his hands
over his head to create drama to the elegance of the black suits & white
shirts he often choose, had a flamenco aspect to them. Go back to Michael’s
“Liberian Girl” video (which featured Naomi Campbell) and you'll see echoes of
Spanish style. The final, funniest link was when Sanchez did a flamenco
moonwalk during his show. This is why Michael Jackson was such an international
force – his ability to weave in threads from different cultures and make them
his. Moreover this exchange was a two way street, where Michael himself
influenced Spanish performers with his style. Which is why travel can be so
richly rewarding. We may all speak different languages but you’ll find dance
and music are the easiest ways communicate.
BA Short Stuff: In
traveling in Spain it was remarkable to see how relaxed the security experience
was. You could keep your shoes on coming in and out of the country. Customs at
Madrid weren’t particular about how paperwork, letting one of the folks
traveling me with enter the country without filling out the travel card given
out on the plane, something that would never happen in the States. The Customs
officers even smiled and told jokes… Central Madrid is so full of Starbucks you
never have to change your coffee habits there… Madrid’s T4 airport terminal is
one of the most beautiful and architecturally audacious in the world. If you
have a long layover there it’s worth walking around… Taxis are plentiful in
Madrid and very clean… If you like espadrilles there’s a quaint little store
off Plaza Mayor called Alaparagateria that has a nice selection… To prepare
yourself for your trip to Madrid I recommend you check out the films of Pedro
Almovodar, who discovered Penelope Cruz and whose work (Women on the Verge of a
Nervous Breakdown, All About My Mother, Volver) are valentines to the city.
Nice story! Madrid has become a mixed of cultures, so there are people from different countries living there. However, Madrid still keeps its Spanish essence and its traditions such as flamenco and bullfighting. And, I agree that Pedro Almodovar films are a good reference to get to know a bit about the city. The first movie you mention is very funny and I remember it very well, it is a classic of Spanish cinema.